Arctic Tern, another Tammie Norrie or that Woodfish faering I was looking forward to building in 2012; it looks like being an Oughtred year, or maybe they'll all fall through and I can dig into my diminishing savings and go sailing for a few months on Sally, whose 75th birthday falls in May.
Whatever the future holds it will no doubt involve boats of some kind. And to my 35 followers (that makes me sound like some kind of messiah), a Happy New Year. All I would ask is that you post a few more comments on my blog. You can't surely let me get away with some of that rubbish without demur?
Saturday, December 31, 2011
Friday, December 23, 2011
Just Add Water
Well, there she is, finished save for a few last tweaks, and awaiting the water. It's been a long one this; a build that has stretched out over much of the Autumn, because it could. So much else going on that it was nice to be able to pick up and leave off more or less at will, to tackle other things, not least a summerhouse and, for the first time in years, a trip abroad.
Now I've seen a number of Tammie Norries, mostly in glued clinker, and still can't for the life of me understand why Mr Oughtred persists in designing boats with that method primarily in mind. OK, I do, and I respect him for it. It just means that we have to rethink quite a lot of the construction details, notably the centreline. On a plywood boat the keel is slapped on last, whereas this one is made at the outset. Logically, as this is clearly a traditional clinker boat, the plan should be drawn for that method, and modified for glued plywood? Or am I being contentious as usual?
As it happens, I prefer to make up things as I go along, rather than following plans slavishly. This one certainly followed Iain's lining out pretty closely, transom and stem shapes and general arrangement, and yet leaving a whole lot to work out during the building process, which is a huge part of the satisfaction.
Nevertheless I would like to see how Iain might suggest we build this in solid timber one day, with a detailed drawing of the centreline, for example. And maybe add a datum line that does not depend on the boat being built upside down. It's OK if your moulds are all fixed to a jig, as everything kind of jigs itself, but working up from a notional datum at keel level it a bit hit and miss.
Among many changes from the plans, including my own take on the rudder design (mainly due to having a nice offcut of Super Elite plywood, perfect for the job) I simplified the thwarts, and made the aft benches easily removeable, for revarnishing. The floorboards are more workmanlike as well. Who wants to revarnish fancy floorboards every season? These are solid larch, primed and finished in Blakes' deck paint, sprinkled over with non-slip granules.
The whole ethos behind this boat was ease of maintenance. It's a common complaint about traditional clinker boats that they need a lot of upkeep, and it is true, but only if the initial finish is so glossy and so precious that you feel obliged to spend every winter bringing it back up to scratch (or rather removing the scratches).
This one is designed to be used and used hard, with a minium of fuss. She's precious but there's no need to treat her with kid gloves, like some of those show boats you see in which you'd dare not set foot for fear of scuffing the Epifanes. A fresh water hose at season's end, a thorough drying out and a misting with Varnol inside, and maybe a lick of varnish on the thwarts and topsides. I hope that'll be the extent of it most years.
As for weight, I have to say that in solid timber - Scots pine with larch garboards, in this case - the boat is significantly heavier than a glued clinker version, but will sit better in the water I reckon. As for looks, well you can judge for yourself. You know what I feel about plywood and epoxy...
Now I've seen a number of Tammie Norries, mostly in glued clinker, and still can't for the life of me understand why Mr Oughtred persists in designing boats with that method primarily in mind. OK, I do, and I respect him for it. It just means that we have to rethink quite a lot of the construction details, notably the centreline. On a plywood boat the keel is slapped on last, whereas this one is made at the outset. Logically, as this is clearly a traditional clinker boat, the plan should be drawn for that method, and modified for glued plywood? Or am I being contentious as usual?
As it happens, I prefer to make up things as I go along, rather than following plans slavishly. This one certainly followed Iain's lining out pretty closely, transom and stem shapes and general arrangement, and yet leaving a whole lot to work out during the building process, which is a huge part of the satisfaction.
Nevertheless I would like to see how Iain might suggest we build this in solid timber one day, with a detailed drawing of the centreline, for example. And maybe add a datum line that does not depend on the boat being built upside down. It's OK if your moulds are all fixed to a jig, as everything kind of jigs itself, but working up from a notional datum at keel level it a bit hit and miss.
Among many changes from the plans, including my own take on the rudder design (mainly due to having a nice offcut of Super Elite plywood, perfect for the job) I simplified the thwarts, and made the aft benches easily removeable, for revarnishing. The floorboards are more workmanlike as well. Who wants to revarnish fancy floorboards every season? These are solid larch, primed and finished in Blakes' deck paint, sprinkled over with non-slip granules.
The whole ethos behind this boat was ease of maintenance. It's a common complaint about traditional clinker boats that they need a lot of upkeep, and it is true, but only if the initial finish is so glossy and so precious that you feel obliged to spend every winter bringing it back up to scratch (or rather removing the scratches).
This one is designed to be used and used hard, with a minium of fuss. She's precious but there's no need to treat her with kid gloves, like some of those show boats you see in which you'd dare not set foot for fear of scuffing the Epifanes. A fresh water hose at season's end, a thorough drying out and a misting with Varnol inside, and maybe a lick of varnish on the thwarts and topsides. I hope that'll be the extent of it most years.
As for weight, I have to say that in solid timber - Scots pine with larch garboards, in this case - the boat is significantly heavier than a glued clinker version, but will sit better in the water I reckon. As for looks, well you can judge for yourself. You know what I feel about plywood and epoxy...
Friday, December 16, 2011
Near Miss
She's been afloat for nearly 75 years; next year is the anniversary of her launch in 1937. She's been through a dozen or so owners, and sailed from the north of Scotland to South Brittany and all points in between. She is the second of the Vertue class, brainchild of Jack Laurent Giles and perhaps the most capable small cruising boat ever designed. Vertues have sailed virtually [sic] everywhere there's water and round every cape, headland and ocean. She'll outlive me, with luck, the kind of luck that stood by her the other night.
It must have been sheer luck, and not the strength of her ground tackle and riser - all of which were renewed a few months ago, well before the storm out of the north west swept down on Loggie Bay.
Her near nemesis came in the shape of a huge, rusty steel barge weighing god knows how much. Sometime in the early hours, around high water, this barge that had been lying for 20 or so years on the beach upwind took it upon itself to drift free whereupon it ran amok among the dozen or so yachts and workboats moored in the bay. With winds touching well over 80 mph it must have been horrendous: 20 tons of slab-sided steel careering through the anchorage like the proverbial bull in a china shop. And by a miracle, Sally, and all but one of the other boats was spared, though it must have been by inches, for she lay right in the path of the barge which fetched up on the beach just beyond where Sally lay.
One yacht was not so fortunate; whether hit by the barge as it careered through the fleet, or not, we will probably never know. But she was right in its path and from there to her resting place at Ardcharnich beach is clear water, with nothing to stop her drift.
Next morning, stem badly scarred we found her a few miles downwind, high and dry, holed on her starboard side, her port side badly abraded from bouncing on the pebble beach. With a temporary patch over the hole, Robin and John towed her back to Ullapool that night in the driving sleet, and next day we had her hauled and dried her out against the sailing club wall. Her owner was remarkably sanguine: "She's a lucky boat. Been aground five times now, and survived..." Make up your own mind.
It must have been sheer luck, and not the strength of her ground tackle and riser - all of which were renewed a few months ago, well before the storm out of the north west swept down on Loggie Bay.
Her near nemesis came in the shape of a huge, rusty steel barge weighing god knows how much. Sometime in the early hours, around high water, this barge that had been lying for 20 or so years on the beach upwind took it upon itself to drift free whereupon it ran amok among the dozen or so yachts and workboats moored in the bay. With winds touching well over 80 mph it must have been horrendous: 20 tons of slab-sided steel careering through the anchorage like the proverbial bull in a china shop. And by a miracle, Sally, and all but one of the other boats was spared, though it must have been by inches, for she lay right in the path of the barge which fetched up on the beach just beyond where Sally lay.
One yacht was not so fortunate; whether hit by the barge as it careered through the fleet, or not, we will probably never know. But she was right in its path and from there to her resting place at Ardcharnich beach is clear water, with nothing to stop her drift.
Next morning, stem badly scarred we found her a few miles downwind, high and dry, holed on her starboard side, her port side badly abraded from bouncing on the pebble beach. With a temporary patch over the hole, Robin and John towed her back to Ullapool that night in the driving sleet, and next day we had her hauled and dried her out against the sailing club wall. Her owner was remarkably sanguine: "She's a lucky boat. Been aground five times now, and survived..." Make up your own mind.
Tuesday, December 13, 2011
My, How those Long Winter Nights Fly Past....
An extract from The Trouble With Old Boats (available from all good remainder shops, Blythswood, Oxfam and secondhand bookshops, priced from 99p, slightly foxed)
Dark and windy night in our Highland crofthouse, no telly, read everything, so we had the Ouija board out. It took me a moment to twig that I’d picked up Horatio Nelson, and it came as quite a shock, especially as I’d asked to be put through either to Horace, a forebear on my mother’s side who was purported to have stashed away a fortune in Kruger rands before passing away while fishing the Test last August, or failing that another relative, Horatio Sprague, US consul in Gibraltar when they towed in the Mary Celeste. No matter; what did England’s most celebrated admiral want, I wondered?
‘Need to set a few things straight, young man.’
Bee in his cocked hat about yachtsman’s ignorance of flag etiquette maybe? Something trivial from the great man. That was often the way with Nelson.
‘’Bout time we buried this Trafalgar nonsense once and for all. What’s it bin? Two hundred years? Bless me soul. Can’t ye leave me old bones in peace?’
Things were looking up. I grabbed my notebook. ‘But we do it to honour your memory, our hero.’
‘Well don’t. And that popinjay who prances around impersonating me with that woman on his arm, ’strewth, they trouble me sorely.' At which I think he meant that actor who impersonates Nelson at nautical gatherings, with a slim Ms Hamilton on his arm.
'Pah! My Emma was, bless me soul, a deuced sight more generously endowed than that slip of a girl. No tumblehome to speak of. Careening her’d be like heaving down a pinnace. My Emma was a first rate. Ship o’ the line. Broad in the beam, well fastened. When I came alongside, threw the grapples and fired me opening broadside…’
I tried to cut him short but he carried on it that vein for some time, speaking of buttock lines, bottoms and stays – naval stuff, you can probably imagine – until I managed to interrupt him, and advise that we lived in more prurient times, and besides, my editor was a Quaker. I lied. He sighed.
‘Pish. Where was I?’
‘Trafalgar?’
‘Ah yes. Trafalgar. Struck down in the thick of the fighting.Ticket to immortality and a prime spot in St Paul’s. Athough I’d have preferred a more weatherly gage. The Abbey perhaps?’
‘So the sparkly medals and the full uniform on the poop deck was on purpose, to attract attention? Kind of, how do I put it, "death wish"?' I ventured.
‘Nonsense. Remember when I left Portsmouth? Dashing down the steps to me cutter in full kit? Gets on board the old Vicky, stows me gear, weighs anchor and we're off Cornwall when – bless me – seems Emma’s forgotten to pack me second best. She’s not only forgot me old brown trousers, me smalls, me cravats, me silk stockings, but she’s sent me off with a trunk load of her stuff. So there I am, off to fight the Frenchies with seventy-two pairs of camisole knickers, in a fetching shade of pink, a t’gallant’s-worth of lace petticoats, fourteen bodices and seven ostrich feather bonnets.
'Typical of the woman. Body like a goddess, brain like a colander.’
‘So it was either the full dress, medals and all, or Emma’s underwear on deck, your lordship?’
‘Exactly. Pink knickers and a feathery hat - not likely to inspire men in the thick of a sea battle. Of course, I kept that for the privacy of me own cabin. Nothing like a freshly laundered pair of knickers on a long passage. Remember we chased them from Ushant to the Indies and back before we cornered them off Trafalgar. Clean underwear twice a week. Splendid.’
‘One more thing, your admiralship. That “Kiss me Hardy” stuff?’
‘Pah. Delirium. I was fast fading and here’s this vision of sobbing loveliness in lace bending over me, bodice heaving, eyes brimming. By my life! It was my Emma! Here at my last! Bliss! So, indeed, yes; I did whisper the immortal words “Kiss me” and “Hardy”, but not in the same breath.
‘When I saw Emma me heart leapt. “Kiss me”, I croaked. Then a pause as the mist cleared and there, instead of my dear one, was me old whiskery mate, flag captain Hardy, inches from me face, ear cocked for me last words, not the blessed Emma after all. “… Hardy?!!!”, I cried, with some measure of surprise.
'Too late. Great wet smacker, on the forehead thank God. Ah well. Beats that fellow whose last words were something about bringing him one of Mr Bellamy’s meat pies, though I wished I’d thought of “I think I can smell burning”. Who said that? Brilliant, quite brilliant, don’t yer think, young man? Must look him up. He'll be lurking about up here somewhere...’
Subscribe to:
Posts (Atom)